MITH Entertainment
CREATIVE DIGITAL EXPERIENCES
3D Content Creation – CAD – Live Visuals – Lighting


Live Visuals – Content Creation
FESTIVAL

HOT DUB TIME MACHINE
Live Visuals

Live Visuals

Live Visuals
FESTIVAL

Live Visuals – Content Creation
FESTIVAL

Live Visuals – Content Creation
FESTIVAL

Live Visuals
FESTIVAL

Digital Set Design
TV

Live Visuals
FESTIVAL

Ballarat 2021
Content Creation – Digital Set
THEATRE

Live Visuals – Content Creation
FESTIVAL

Live Visuals
FESTIVAL

Live Visuals – Custom Content Creation
FESTIVAL

Lighting & Vision Design – Custom Content
THEATRE

Live Visuals
FESTIVAL

Live Visuals – Custom Content
FESTIVAL

Live Visuals – Realtime Overlays
DANCE

Lighting & Visual Design – Custom Content
THEATRE

Live Visuals – Custom Content
FESTIVAL

Lighting Design
CIRCUS

Lighting Design
THEATRE

Live Visuals – Custom Content
FESTIVAL

Live Visuals and Custom Content
FESTIVAL

Live Visuals – Custom Content
FESTIVAL

Live Visuals – Custom Content
FESTIVAL

Live Visuals and Content
FESTIVAL

Lighting, Live Visuals and Custom Content
FESTIVAL

Custom Visual Content

Live Visuals and Custom Content
FESTIVAL

Live Visuals – Custom Content
FESTIVAL

Live Visuals

Lighting Designer
THEATRE

Lighting, Live Visuals and Custom Content

Lighting and Vision Design
CIRCUS

Main Stage Lighting

MOVIE WORLD
DC Heros and Villains 2019
Lighting and Laser Programming

Lighting and Vision Design
THEATRE

Live Visuals

Lighting Design – Production Management
THEATRE

Live Visuals – Production Manager

Stage & Lighting Design

Technical Direction, Production Design & Vision Content

Show Direction
FESTIVAL

Stage Design – Production Management
FESTIVAL
I have never seen the Blue Room’s minimalist spaces used more effectively. Matthew Osborne’s lighting and vision design is sometimes breathtaking, and Chester and Barbe work within it faultlessly.
The West Australian
Having such a dark and focused set is actually very beguiling, as every set piece and movement by the performer is easily highlighted and even the smallest details can be picked up by the audience. The projections and compositions are beautifully crafted and this is one show that the skills of the stage manager are particularly apparent, as every light, sound and visual cue seem perfectly timed and executed.
ArtsHub
The backbone of this production was a spectacular projected animation, which used large moving LED screens trucked across the stage, taking the audience on a kaleidoscope around Oz. The images ranged from the inside of a clock to a hurricane. All were especially vivid due to the intimate seating of the Glen Street Theatre.
Stage Whispers
The Blue Room’s small black studio space is effectively transformed with Matthew Osborne’s superb visual projections and lighting design.
POST Newspaper
As a third and fourth layer to this experience, we have the lovely lighting and visual design by Matthew Osborne and a complex musical composition by Ekrem Mulayim; they complete setting, reflect mood, and create metaphor. Without these elements Chester’s actions would be less meaningful, and we’d have a much harder time understanding her character’s solitary existence. This world simply wouldn’t exist without those elements.
Perth Arts Live
Matt Osborne’s lighting & vision design is one of the most adventurous community theatre lighting designs I’ve ever seen with a large amount of LED screens used to display settings on. At times, it’s a bit over the top, but on the whole, it’s inventive and very clever.
Weekend Notes
This best ever stagecraft-driven production of WICKED cleverly manipulates their well chosen and beautiful animated state-of-the-art video-walls to set the stage for each scene, and is a unique techno-triumph.
Sydney Arts Guide